When This Minute Is Enough
As I wandered my corner of the Tropics I would
sometimes come across the same character. Not the same as being an individual,
but someone of a type. Slightly off focus, eager to help and assist, and
truthfully quite harmless.
These are the ones who stayed a season too long, and
that season was a long time ago. They are sun weathered, missing teeth, attired in
well used shorts and t-shirts from the 5 for $10 shops. They have that punch drunk
presentation and appearance you know doesn’t present an imminent concern, but
makes you slightly wary in case the unexpected appears.
I would run into them in bars, or lying on the
beach. In one bar he was drawing pictures of the customers, and then selling
them for whatever they would pay. The crayon drawings were rough and a bit
crude in their execution, but contained enough recognizable imagery as to be somewhat realistic. They
were customer caricatures. In the crudity was the appeal, the lack of
sophistication being the mark of this artist and his life. In each drawing
there was the hope and promise that he could have been better, but in this time
and place he couldn’t get beyond selling the picture for $8 because that was
all the cash the tourists had. The eight dollars was enough for a couple of
beers, and there would always be more tourists.
In some ways I envied him. Somehow this life existed
solely in moments of drawing and drinking. Creating and forgetting, then moving
on to the next moment. Over and over.
Creating is hard work, especially for those who have an
infrastructure to support. Kids, partners, houses, social obligations all add
up to time stolen from creating. For those who don’t have those issues,
creating is still hard work. Very few people can just sit down and write, or
draw, or make music, or dance. Everyone has a process unique to them. Sometimes
that process is as simple as being alone; sometimes you have to get past your
“self” issues. Sometimes it takes nothing more than the sun streaming through a
window on a winter’s day with dust hanging in the light shaft, and some baroque
music that happens to be on the stereo as you wipe down the kitchen sink.
The mood has been created, an idea has formed, a plot
devised, a character moment needs to coalesce, and you know you have “it”. If
you are very lucky you will be able to get most of it down on whatever medium is
handy, before the thought gets lost in a thousand other thoughts that you need
just for today.
I don’t draw, I don’t make music, and I can’t dance to
save my life or anyone else’s. I can write. Not much call for writing in
tropical bars to sell to the tourists, though an extraneous thought occurs to
me that one could create a business model that might. It would only pay
drinking money but it’s better than not getting paid at all.
The Tropics are full of writers, and musicians, and
artists of all stripes. Some are fabulous, some aren’t, but they all try. Every
day they all try within whatever framework of time, talent, and personal
economics they have, to create something better than whatever it was they last created.
For me writing is something I have done for years. I
have done it quietly and privately as a way of actually getting to be me. I
don’t write for money, or fame. I write because I have to, the same way I have
to breathe and eat. And I have no interest in fame. None at all, in fact I shun
any kind of attention. The work itself is what I love to do, just as it was
when I was gainfully employed, and if other people can enjoy that work then I
am happy it’s appreciated.
These were some of the thoughts that passed through my mind on
a steamy late November afternoon, as I sat drinking beer in the Elbo Room Bar across
the street from the beach in Fort Lauderdale. A couple from somewhere in Middle
America was being drawn in crayon by a guy who was sipping a beer across from
me. He was quick, and rough, missing teeth, and was slightly unfocussed. It was
a look I have seen not just in the Tropics but also on the faces of street
people across North America. This guy had been at it longer than most, and to
his great credit he had a product to sell that people were willing to shell out
for. He was less a street person than an entrepreneurial artist. He didn’t have
a story of woe looking for a handout, he wanted to sell you a creation that
represented him, and you, and the time you shared in a Tropics bar.
And that was where the envy started to creep in. I
struggle, some days agonizingly so, to create, and yet here was a guy who in ten
minutes had captured atmosphere, character, and color in a drawing he sold for
$8. The hourly minimum wage in Florida (for non-tipped occupations) is $7.93 as
of January 1, 2014. That’s an increase fourteen cents over 2013. I’ll leave the
math to you, but once he had his $8 he leaned over and stashed the paper and
crayons behind the bar then took off down the beach. It’s rare to see a grown
man skipping like a child.
As I looked around the bar his artwork was all over
walls and under the cabinets and bar rail. His working studio was a bar, he
worked in coloured crayons as he drank his beer, and he worked the uncrowded
room like a true entertainer. That he was slightly off centre, missing teeth,
and looked like he’d seen a punch or two was mostly irrelevant, his life’s
passion shone in his eyes as he worked.
He was part of the beach and the bar. He belonged there
in ways I never would. He shared his creativity, rough and crude and honest,
with the world at large and he did it willingly and without ego and hubris. He was a
beach bar artist, and from what I saw he was quite happy with his life.
I couldn’t say if he knew what day it was, or that the
time was mid-afternoon. He was happy drawing, drinking, and living this minute
of this day. I doubt he knows if he has a future that might have come and gone. Today is
the only day he knows, and he’s happy that it’s enough.
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